Edition of 10
Runtime: 48 minutes
Signed and numbered on accompanying certificate
(Inventory #31028)
This is an abbreviated version of the film. Please inquire to view entire film.
Exhibited November 6, 2021 – December 18, 2021
Edition of 10
Runtime: 48 minutes
Signed and numbered on accompanying certificate
(Inventory #31028)
This is an abbreviated version of the film. Please inquire to view entire film.
Exhibited November 6, 2021 – December 18, 2021
BETWEEN YOU, ME, AND THE SEA – “Between You, Me, and the Sea” is the artist’s third and longest video at 45 minutes. It is an animation about geography, landscape, art, and language depicted through drawing, color, and sound. One by one the animated abbreviations of the fifty states of the United States emerge out of a matrix of vertical, horizontal, diagonal, and curved lines whose shapes are filled in with bright colors. The sequence of creation of the states is determined by its alphabetical architecture, its typography, not history. The states ‘join the union’/take their place on the list based upon the geometry of the lines in their abbreviated names: slanted as in WV, vertical and horizontal as in FL, diagonal as in KY, and circular as in CO. Art, as expressed by the alphabet, meets Manifest Destiny. The continuous chugging sound of a train moving at full speed provides the audio, reinforcing the continuous movement of the animation.
Kay Rosen’s investigation into the visual possibilities of language has been her primary focus since 1968, when she traded in the academic study of languages for the study of language-based art. Through paintings, drawings, murals, prints, collages, and videos, Rosen has sought to generate new meaning from everyday words and phrases by substituting scale, color, materials, composition, graphic design, and typography for the printed page.
While political issues often form the bedrock of Rosen’s artwork, she insists that her work is driven not by politics, but by language, and she follows it to whatever place it takes her. Rosen loves the physical act of drawing and painting, and materially her paintings and drawings are intensively rendered; however, she considers language to be found material, conceptually placing her in the more passive role of a cognitive observer and enabler of language. The writer Rhonda Lieberman described her as a revealer of language who “shows it doing things that are totally above, beyond, and/or below its function as a mode of communication.”
Rosen’s work has been described as sculpture, poetry, architecture, and performance. Roberta Smith once called her a “writer’s sculptor” and Eileen Myles called her the “poet of the art world.” In a 2014 piece for Art In America, Rosen wrote: “The linguist in me wanted meaning to be carried by the structure of the words, not type style; the inner painter insisted that color convey meaning; the sculptor in me obsessed about the construction of letterforms through materials and process; and any poetic instincts strove for efficiency.”
Kay Rosen has been the subject of numerous articles, reviews, and group and solo exhibitions, including in 1998 a two-venue mid-career survey entitled Kay Rosen: Li[f]eli[k]e, curated by Connie Butler and Terry R. Myers at the Los Angeles Museum of Contemporary Art and Otis College of Art Design. She has been the recipient of awards that include a Guggenheim Foundation Fellowship in 2017 and three National Endowment for the Arts Visual Arts Grants. Her work is included in many institutional and private collections. Rosen taught at The School of the Art Institute of Chicago for twenty-four years. She was born and raised in Corpus Christi, Texas and lives in New York City and Gary, Indiana.
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