Overall size: 18 7/8 x 39 3/8 x 6 5/8 inches (47.9 x 100 x 16.8 cm)
Edition of 50
(Inventory #27442)
“Stop Traveler (Siste Viator)” was conceived for the Sonsbeek international sculpture exhibition, held in Arnhem, The Netherlands, the site of one of World War II’s most important battles. Intended as a “literary memorial” to British, Dutch, Polish, and German war casualties, this project features reprints of books and book covers that could have been read by those killed in battle. For each language, one book was reproduced entirely, while the other copies contain blank pages only. The artist inserted ex libris bookplates inscribed with a WWII soldier/casualty’s name.
Overall size: 18 7/8 x 39 3/8 x 6 5/8 inches (47.9 x 100 x 16.8 cm)
Edition of 50
(Inventory #27442)
“Stop Traveler (Siste Viator)” was conceived for the Sonsbeek international sculpture exhibition, held in Arnhem, The Netherlands, the site of one of World War II’s most important battles. Intended as a “literary memorial” to British, Dutch, Polish, and German war casualties, this project features reprints of books and book covers that could have been read by those killed in battle. For each language, one book was reproduced entirely, while the other copies contain blank pages only. The artist inserted ex libris bookplates inscribed with a WWII soldier/casualty’s name.
Allen Ruppersberg, born in 1944, is an American artist. He is one of the first generation of American Conceptual artists that changed the way art was thought about and made. His work includes paintings, prints, photographs, sculptures, insstallations and books. Born in Cleveland, Ohio, Ruppersberg graduated in 1967 with a Bachelor of Fine Arts degree from the Chouinard Art Institute (now the California Institute of the Arts) in Los Angeles, California.
During his early years in Los Angeles, he began significant relationships with John Baldessari, Ed Ruscha, William Wegman and Allan McCollum. He participated in teh 1969 exhibition “When Attitudes Become Form,” and is recognized as a seminal practitioner of installation art, having produced works including “Al’s Cafe” (1969), Al’s Grand Hotel” (1971) and “The Novel that Writes Itself” (1978).
Since the late 1960’s, his work has been the subject of over sixty solo exhibitions and nearly 200 group shows including Documenta V (1972), Whitney Biennial (1970, 1975 and 1991). In 1985, the Museum of Contemporary Art, Los Angeles organized an exhibition of Ruppersberg’s work, which traveled to the New Museum of Contemporary Art in New York City. His work can be found in permanent collections of museum internationally, including Foundation de Appel, Amsterdam, The Netherlands, Museum für Moderne Kunst, Frankfurt, Germany, Museum of Modern Art, New York City, Museum of Contemporary Art, Los Angeles, California and Whitney Museum of American Art, New York City.
Ruppersberg has been awarded the United States Artists Award in 2011, the Oliver Fellow for Visual Arts. Ruppersberg currently lives and works in Los Angeles and New York City.
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